Editor's Playlists

Bars: Great 🎉
Delivery: Great 🎉
Impression: Great 🎉

Fiya 🚀
Bomb 💣

Bars: Great 🎉
Delivery: Great 🎉
Impression: Great 🎉

WAKE EM UP 🗣️🔊
CAKE 🍰

Bars: Great 🎉
Delivery: Great 🎉
Impression: Great 🎉

I feel it! 🤜🤛
Word Up ⬆️

Bars: Great 🎉
Delivery: Great 🎉
Impression: Dope 🔥

Bars: Great 🎉
Delivery: On point 🎯
Impression: Great 🎉

está bien

Bars: Dope 🔥
Delivery: Dope 🔥
Impression: Dope 🔥

Bars: Perfect 💯
Delivery: Perfect 💯
Impression: Perfect 💯

Bars: Dope 🔥
Delivery: On point 🎯
Impression: Great 🎉

Ufff dejatelas largas ke la muerte va a llegar de todas formas 😝 martes martex

Bars: Perfect 💯
Delivery: Dope 🔥
Impression: Great 🎉

Bars: Dope 🔥
Delivery: Dope 🔥
Impression: Great 🎉

The hottest songs in July all in one place ☀️

Best Of July

Discover new artists making their first moves on Rap Fame. Fresh. Hungry. Real.

Rookie of the Week 32

Trap music developed during the period of the 90s to 2000s, typically in the south of the US. It is usually recognised by the beat involving hi-hats, bass drum and synthesisers. Lyrically, themes involve typical violence, club life, drug culture and street life. 

Trap

Gangsta rap evolved from the mid-80s from hardcore rap, mainly defined by the lyrical content about gangsta lifestyle usually based on crime and violence. 

Gangsta

Classic hip-hop originates from the 80s, pushing through to the 90s and early 2000s. The flow is normally more simple and often has a slower tempo.

Classic

This is a themed playlist with a collection of songs from our artists' sad side. Song themes range from heart break to losses. This is the perfect playlist to listen and relate to, and hear some of the upsetting stories these rappers have to tell...

Sad Playlist

Songs from Outer Space! 🪐
For when you just wanna kick back & chill on Rap Fame! 🤙

Straight Chillin

Subscribe✔️ NOW for the week's 🔥HOTTEST🔥 tracks!
Get 🎧📲 the dopest new music🎶🎶 every week. 

Pick of the Week

🔝Nothing but the Best...

A playlist▶️ for the 🏆Winners🏆 from every Contest🎙️ every week!

ZÉNECA III