A word on how this video was made: First and foremost, let me explain something real quick. I am a one-person team. I don't have a big budget, I don't have a film crew, and I don't have a production company backing me. It's just me, my laptop, and my vision. Like every other independent artist out there, I would absolutely love to have professional music videos shot on location with a full crew and crazy cinematography—but that's just not realistic for me right now. So, I had to get creative. I had to find a way to make my vision happen with the resources I have. And that meant using every tool at my disposal to bring this video to life. This video is different from my previous one too. In my last video, you saw me actually out on the streets—on the sidewalk, in different locations, performing in real environments. That one was done mostly with just me and a camera, with only a little bit of digital editing to enhance things like adding lighting effects and a few visual touches to make it pop. You could actually see me, the real me, out there in the world. But this one? This one is completely different. This time, I had to integrate myself into a completely animated world with the Turtles. I had to create the entire environment, generate the characters, and then place myself inside of it after everything was made. It was a whole different beast to tackle. So, what is the AI/technology for? Simple: the visual effects. The Turtle characters moving around, the background animations, the stylistic flips, and anything that looks larger-than-life is all tech-enhanced visual storytelling. I use AI and digital tools purely as a visual effects palette—the same way a director uses CGI in a movie—to give you something dope to look at while I spit. It's eye candy. It's me saying, "What if the Turtles were in the hood vibing to my beat?" and then using every tool I have to make that imagination a reality. Here's the thing about how I actually do it though: All the AI work I do for my videos is done locally on my own machine. I'm not using some online service or cloud-based generator that someone else is paying for. I have one of those new powerful laptops with the AI processing built right into it—the kind that can handle heavy rendering and generate visuals locally without needing to connect to anything online. I feed it my descriptions, my ideas, my creative direction, and it processes everything right there on my computer. It's just another tool in my creative arsenal, like a VST plugin or a video editor, except it runs locally and does exactly what I tell it to based on my prompts. No middlemen, no outsourcing, just me and my machine cooking up visuals to match my music. Transparency is key: I always tell people when I use AI in my videos. I'm not trying to hide it or fool anyone. I'm an artist who loves technology, and I believe in being upfront about how I bring my wild ideas to the screen. And no—this isn't taking anyone's job. I don't have a production team, a VFX crew, or a label backing me. I work completely alone in my own space because that's how I like it. Every mix, every edit, every vocal take, and every effect you see was done by me, Rezzy Flintboy, grinding by myself until it was perfect. No one lost a gig because I pressed "render." I just used every weapon in my arsenal to make the best art I possibly could. I don't work with anyone else, and I prefer it that way because I like having full creative control from start to finish. Just because you see animation and AI-assisted effects in the video does NOT take away from the fact that I am the actual musician behind every bar. I am the one behind the mic, the one behind the drum machine, and the one who wrote every word. The tech is just my paintbrush—I'm the one painting the picture. And honestly? I think I produced something that looks and sounds incredibly sick. Much love for rocking with me. Now watch the video, bump the bass, and feel that real Turtle Power. — Rezzy Flintboy 🐢🎤🔥 Rezzy Flintboy - TMNT 1987: Fixed & Rewritten: Yo, what's good! It's your boy Rezzy Flintboy, and I am beyond hyped to finally drop this project I've been grinding on for weeks—honestly, probably closer to a month—to get everything just right. This ain't just a cover; this is a full-on reconstruction of the classic 1987 TMNT theme. I call it "TMNT 1987: Fixed & Rewritten." So, what's the deal? It all started because I noticed something that's bugged me since I was a kid. As a Mohawk person, the lyric "Heroes in a half-shell" never made a lick of sense. Think about it: a turtle's shell ain't split in two. It's one solid, powerful shield. You can't just take a piece of anatomy and chop it up without it sounding weird. That's not how shells work, and I couldn't let it slide anymore. So, I grabbed the mic and fixed it. Instead of the nonsense, we get the truth: "Heroes Shielded In A Great Green Shell." That feels right. It's about the protection, the wholeness, the power of being complete. But I didn't stop there. I noticed the original song never really dove deep into who Splinter was as a man before he became a rat—his origin as Hamato Yoshi, a man of peace and art. I had to add that story in my new verses. I wanted to honor the legacy of a father who took a tragedy and turned it into a lesson of honor for his four sons. The song went from a simple cartoon intro to an anthem about identity, ancestry, and standing whole in a world that tries to put you in fragments—using the shell as the perfect metaphor. Musically, I went all the way in on the production. I wasn't just rewriting the words; I was building a whole new sonic world to match that "what if the turtles grew up in the hood" energy. I locked myself in and mixed that iconic 1980s cartoon synth melody and retro 8-bit arcade bleeps with ruthless, aggressive gangster boom-bap hip hop and phonk. The beat is anchored by heavy, hard-hitting E-mu SP-12 drum machine breakbeats with those punchy kicks and crispy snares that knock your head back. I layered on dark distorted 808 bass slides, phonk cowbell patterns, and those gritty Memphis-style hi-hat rolls. You'll hear old school DJ turntable scratching effects, record spinbacks, and transformer scratches like a mixtape from the underground. But the cartoon energy is still the heart, with bright chiptune arpeggios, funky slap bass guitar riffs, orchestral horn stabs, electric guitar power chords, and wah-wah pedal funk licks. A little vinyl crackle and tape hiss give it that vintage analog warmth so it feels like a lost tape from a grimy New York sewer. The video was a whole other beast I crafted myself. You got me spitting with that chopper spitfire rapid-fire cadence, non-stop aggressive delivery, and in the background, the Ninja Turtles themselves are vibing out, playing instruments and keeping the Saturday morning animation swagger alive. Getting the song perfect and syncing it all up took me weeks of tweaking and re-recording until every bar hit with the force it deserved. This is a passion project from the heart of a Mohawk man who loves these characters and wanted their anthem to reflect real strength and wholeness. Hope y'all feel the Turtle Power the right way! #RezzyFlintboy #TMNT1987FixedAndRewritten #TeenageMutantNinjaTurtles #TMNT #NinjaTurtles #TurtlePower #BoomBap #HipHop #Phonk #80sCartoon #SynthMelodies #8Bit #Chiptune #MemphisPhonk #UndergroundHipHop #ChopperRap #LyricalMiracle #SP12 #Turntablism #CartoonRap #NewYorkBoomBap #SaturdayMorningSwagger #IndigenousArtist #Mohawk #SewerRap #VintageAnalog #WahWahFunk #Cowabunga
You may also like
Leave a comment
A word on how this video was made: First and foremost, let me explain something real quick. I am a one-person team. I don't have a big budget, I don't have a film crew, and I don't have a production company backing me. It's just me, my laptop, and my vision. Like every other independent artist out there, I would absolutely love to have professional music videos shot on location with a full crew and crazy cinematography—but that's just not realistic for me right now. So, I had to get creative. I had to find a way to make my vision happen with the resources I have. And that meant using every tool at my disposal to bring this video to life. This video is different from my previous one too. In my last video, you saw me actually out on the streets—on the sidewalk, in different locations, performing in real environments. That one was done mostly with just me and a camera, with only a little bit of digital editing to enhance things like adding lighting effects and a few visual touches to make it pop. You could actually see me, the real me, out there in the world. But this one? This one is completely different. This time, I had to integrate myself into a completely animated world with the Turtles. I had to create the entire environment, generate the characters, and then place myself inside of it after everything was made. It was a whole different beast to tackle. So, what is the AI/technology for? Simple: the visual effects. The Turtle characters moving around, the background animations, the stylistic flips, and anything that looks larger-than-life is all tech-enhanced visual storytelling. I use AI and digital tools purely as a visual effects palette—the same way a director uses CGI in a movie—to give you something dope to look at while I spit. It's eye candy. It's me saying, "What if the Turtles were in the hood vibing to my beat?" and then using every tool I have to make that imagination a reality. Here's the thing about how I actually do it though: All the AI work I do for my videos is done locally on my own machine. I'm not using some online service or cloud-based generator that someone else is paying for. I have one of those new powerful laptops with the AI processing built right into it—the kind that can handle heavy rendering and generate visuals locally without needing to connect to anything online. I feed it my descriptions, my ideas, my creative direction, and it processes everything right there on my computer. It's just another tool in my creative arsenal, like a VST plugin or a video editor, except it runs locally and does exactly what I tell it to based on my prompts. No middlemen, no outsourcing, just me and my machine cooking up visuals to match my music. Transparency is key: I always tell people when I use AI in my videos. I'm not trying to hide it or fool anyone. I'm an artist who loves technology, and I believe in being upfront about how I bring my wild ideas to the screen. And no—this isn't taking anyone's job. I don't have a production team, a VFX crew, or a label backing me. I work completely alone in my own space because that's how I like it. Every mix, every edit, every vocal take, and every effect you see was done by me, Rezzy Flintboy, grinding by myself until it was perfect. No one lost a gig because I pressed "render." I just used every weapon in my arsenal to make the best art I possibly could. I don't work with anyone else, and I prefer it that way because I like having full creative control from start to finish. Just because you see animation and AI-assisted effects in the video does NOT take away from the fact that I am the actual musician behind every bar. I am the one behind the mic, the one behind the drum machine, and the one who wrote every word. The tech is just my paintbrush—I'm the one painting the picture. And honestly? I think I produced something that looks and sounds incredibly sick. Much love for rocking with me. Now watch the video, bump the bass, and feel that real Turtle Power. — Rezzy Flintboy 🐢🎤🔥 Rezzy Flintboy - TMNT 1987: Fixed & Rewritten: Yo, what's good! It's your boy Rezzy Flintboy, and I am beyond hyped to finally drop this project I've been grinding on for weeks—honestly, probably closer to a month—to get everything just right. This ain't just a cover; this is a full-on reconstruction of the classic 1987 TMNT theme. I call it "TMNT 1987: Fixed & Rewritten." So, what's the deal? It all started because I noticed something that's bugged me since I was a kid. As a Mohawk person, the lyric "Heroes in a half-shell" never made a lick of sense. Think about it: a turtle's shell ain't split in two. It's one solid, powerful shield. You can't just take a piece of anatomy and chop it up without it sounding weird. That's not how shells work, and I couldn't let it slide anymore. So, I grabbed the mic and fixed it. Instead of the nonsense, we get the truth: "Heroes Shielded In A Great Green Shell." That feels right. It's about the protection, the wholeness, the power of being complete. But I didn't stop there. I noticed the original song never really dove deep into who Splinter was as a man before he became a rat—his origin as Hamato Yoshi, a man of peace and art. I had to add that story in my new verses. I wanted to honor the legacy of a father who took a tragedy and turned it into a lesson of honor for his four sons. The song went from a simple cartoon intro to an anthem about identity, ancestry, and standing whole in a world that tries to put you in fragments—using the shell as the perfect metaphor. Musically, I went all the way in on the production. I wasn't just rewriting the words; I was building a whole new sonic world to match that "what if the turtles grew up in the hood" energy. I locked myself in and mixed that iconic 1980s cartoon synth melody and retro 8-bit arcade bleeps with ruthless, aggressive gangster boom-bap hip hop and phonk. The beat is anchored by heavy, hard-hitting E-mu SP-12 drum machine breakbeats with those punchy kicks and crispy snares that knock your head back. I layered on dark distorted 808 bass slides, phonk cowbell patterns, and those gritty Memphis-style hi-hat rolls. You'll hear old school DJ turntable scratching effects, record spinbacks, and transformer scratches like a mixtape from the underground. But the cartoon energy is still the heart, with bright chiptune arpeggios, funky slap bass guitar riffs, orchestral horn stabs, electric guitar power chords, and wah-wah pedal funk licks. A little vinyl crackle and tape hiss give it that vintage analog warmth so it feels like a lost tape from a grimy New York sewer. The video was a whole other beast I crafted myself. You got me spitting with that chopper spitfire rapid-fire cadence, non-stop aggressive delivery, and in the background, the Ninja Turtles themselves are vibing out, playing instruments and keeping the Saturday morning animation swagger alive. Getting the song perfect and syncing it all up took me weeks of tweaking and re-recording until every bar hit with the force it deserved. This is a passion project from the heart of a Mohawk man who loves these characters and wanted their anthem to reflect real strength and wholeness. Hope y'all feel the Turtle Power the right way! #RezzyFlintboy #TMNT1987FixedAndRewritten #TeenageMutantNinjaTurtles #TMNT #NinjaTurtles #TurtlePower #BoomBap #HipHop #Phonk #80sCartoon #SynthMelodies #8Bit #Chiptune #MemphisPhonk #UndergroundHipHop #ChopperRap #LyricalMiracle #SP12 #Turntablism #CartoonRap #NewYorkBoomBap #SaturdayMorningSwagger #IndigenousArtist #Mohawk #SewerRap #VintageAnalog #WahWahFunk #Cowabunga
hope y'all enjoy this one