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Akai MPC S XE ( beispiel ) - Key: E Phrygian / E Minor - Set Tempo: 80 BPM - Time Signature: 4/4 Load Samples: - 808 Kick (deep, long decay) - Sub-Bass (one-shot, tuned to E1) - Flamenco Guitar samples (E Phrygian scale: E-F-G-A-B-C-D) - Dark Ambient Pad - Hi-Hat 2. DRUMS Track 1 - 808 KICK: - Pattern: Hits on 1, 2.5, 3.5 - Decay: 800-1200ms (long tail) - Tune: -3 to -5 semitones - Slight distortion (15-25%) Track 2 - SUB-BASS: - Pattern: Every 2 bars on beat 1 - Tune to E1 - Very low in mix Track 3 - HI-HAT - Minimal pattern: 2.75 and 3.75 - Low velocity (40-60%) - High-pass 3. MELODIC ELEMENTS Track 5 - FLAMENCO GUITAR: - E Phrygian scale - Tremolo-style 16th notes - Use Note Repeat function - Reverb: 25-35%, Delay: 1/8 note - Cut low-end, boost 2-3kHz Track 6 - DARK PAD: - Background atmosphere only - Long sustained chords - Heavy reverb (50-60%) - Very low in mix (-15dB) 4. ARRANGEMENT INTRO (Bars 1-8): → Add Sub-Bass → Add Guitar → Add 808s VERSE 1 (Bars 9-24): All elements active HOOK 1 (Bars 25-32): Intensify 808s, prepare vocals VERSE 2 (Bars 33-48): Like Verse 1, slight variations HOOK 2 (Bars 49-56): Like Hook 1 BRIDGE (Bars 57-64): Strip to minimal (Didgeridoo + Sub only), build back up VERSE 3 (Bars 65-80): Maximum intensity FINAL HOOK x2 (Bars 81-96): Repeat with fadeout OUTRO (Bars 97-104): Fade all except Didgeridoo + Guitar……… And and and………. “ich teil’ hier gerne mal Infos, weil ich gemerkt hab’ dass es hier krass viele junge Talente gibt und ich zeig’ denen was alles möglich is’ auf der AKAI - dafür braucht’s kein Studio für paar Mille…Obwohl paar von uns – ich eingeschlossen – es lieben mit den Jungs abzuhäng’n, paar Bars auf’s Paper zu schmieren und Beats zu Pro….” “I be droppin’ knowledge out here ‘cause I peeped mad young talent in the spot, showin’ ‘em what’s really possible on that AKAI - you ain’t gotta drop racks on no fancy studio for this…Even though some of us – myself included – we be lovin’ to kick it with the homies, scribble some bars on the pad and cook up them beats.” “j’kiffe donner des conseils parce que j’ai capté qu’il y a grave de jeunes talents ici, j’leur montre tout c’qu’on peut faire avec l’AKAI - pas b’soin d’claquer des mille dans un studio…Même si y’en a parmi nous – moi compris – on aime trop poser avec les gars, griffonner quelques lignes sur feuille et cuisiner des prods.” “Tío, a mí me mola un montón compartí porque he visto que aquí hay un mogollón de chavale’ con talento, y le’ enseño to’ lo que se puede hacé con la AKAI - pa’ eso no hace falta un estudio de miles de euro’, ¿sabes? Aunque algunos de nosotro’ – yo incluío – prefieren queda’ con la peña, garabatea’ cuatro rima’ en el papel y creá ritmo’.”
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Akai MPC S XE ( beispiel ) - Key: E Phrygian / E Minor - Set Tempo: 80 BPM - Time Signature: 4/4 Load Samples: - 808 Kick (deep, long decay) - Sub-Bass (one-shot, tuned to E1) - Flamenco Guitar samples (E Phrygian scale: E-F-G-A-B-C-D) - Dark Ambient Pad - Hi-Hat 2. DRUMS Track 1 - 808 KICK: - Pattern: Hits on 1, 2.5, 3.5 - Decay: 800-1200ms (long tail) - Tune: -3 to -5 semitones - Slight distortion (15-25%) Track 2 - SUB-BASS: - Pattern: Every 2 bars on beat 1 - Tune to E1 - Very low in mix Track 3 - HI-HAT - Minimal pattern: 2.75 and 3.75 - Low velocity (40-60%) - High-pass 3. MELODIC ELEMENTS Track 5 - FLAMENCO GUITAR: - E Phrygian scale - Tremolo-style 16th notes - Use Note Repeat function - Reverb: 25-35%, Delay: 1/8 note - Cut low-end, boost 2-3kHz Track 6 - DARK PAD: - Background atmosphere only - Long sustained chords - Heavy reverb (50-60%) - Very low in mix (-15dB) 4. ARRANGEMENT INTRO (Bars 1-8): → Add Sub-Bass → Add Guitar → Add 808s VERSE 1 (Bars 9-24): All elements active HOOK 1 (Bars 25-32): Intensify 808s, prepare vocals VERSE 2 (Bars 33-48): Like Verse 1, slight variations HOOK 2 (Bars 49-56): Like Hook 1 BRIDGE (Bars 57-64): Strip to minimal (Didgeridoo + Sub only), build back up VERSE 3 (Bars 65-80): Maximum intensity FINAL HOOK x2 (Bars 81-96): Repeat with fadeout OUTRO (Bars 97-104): Fade all except Didgeridoo + Guitar……… And and and………. “ich teil’ hier gerne mal Infos, weil ich gemerkt hab’ dass es hier krass viele junge Talente gibt und ich zeig’ denen was alles möglich is’ auf der AKAI - dafür braucht’s kein Studio für paar Mille…Obwohl paar von uns – ich eingeschlossen – es lieben mit den Jungs abzuhäng’n, paar Bars auf’s Paper zu schmieren und Beats zu Pro….” “I be droppin’ knowledge out here ‘cause I peeped mad young talent in the spot, showin’ ‘em what’s really possible on that AKAI - you ain’t gotta drop racks on no fancy studio for this…Even though some of us – myself included – we be lovin’ to kick it with the homies, scribble some bars on the pad and cook up them beats.” “j’kiffe donner des conseils parce que j’ai capté qu’il y a grave de jeunes talents ici, j’leur montre tout c’qu’on peut faire avec l’AKAI - pas b’soin d’claquer des mille dans un studio…Même si y’en a parmi nous – moi compris – on aime trop poser avec les gars, griffonner quelques lignes sur feuille et cuisiner des prods.” “Tío, a mí me mola un montón compartí porque he visto que aquí hay un mogollón de chavale’ con talento, y le’ enseño to’ lo que se puede hacé con la AKAI - pa’ eso no hace falta un estudio de miles de euro’, ¿sabes? Aunque algunos de nosotro’ – yo incluío – prefieren queda’ con la peña, garabatea’ cuatro rima’ en el papel y creá ritmo’.”
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